... tone ; and , it's true when fingered with any finger . This table illustrates the Grip for each scale tone ; numbered in mode 1 , and fingered only with finger one : I , IV , V Grip 1 ( or 4 ) II , VI III , VII Grip 3 Grip 2 Another ...
Studies in Honor of Robert Taft, S.J. Robert F. Taft Ephrem Carr. V Example 1 PSALMA 120. Levari oculos Coptic Peahen Tons in Mode V ( = Tone A ) 1. Ai jí n - nabál ehrai ejn - n - tó ou * je are ta - boe theiǝ meu nai - tōn , 0 . 2. Ere ...
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... semitone will not be [ enough ] for the difference . Again , I can tune up a ... tone , which in this case requires b . 139. That is , the difference cannot ... in mode 8 . 142. Marginal note in V ( in the hand of the corrector , not ...
Essays in Honor of Claude V. Palisca Nancy Kovaleff Baker, Barbara Russano Hanning. musical procedure . Once again ... in mode 1 and as a difference tone in mode 3 — and also by the frequent practice of answering a motive that outlines ...
... tone Phase V No sound Auscultatory gap Phase III Thumping tone frequency ... In mode I , on inflation of the cuffs , the absolute value of the pressure ... in mode II , to the pointer . Attenuation of the pulsations corresponds to DBP ...
... in mode V re - la , and in mode VIII do - sol . Most of these stable fifths were found to be larger than the pure fifth by one - quarter of a whole tone ... V la - re ; in mode VII fa - si and re - sol ; in mode VIII sol - do . The size of ...
... in Mode VIII . should be intoned on f or f ( major ) , those in Mode II . on for g ( minor ) . Lesson IX . For this Lesson ... V. ( Exercises 1—3 ) should be sung a whole tone or a semitone lower than written . Exercises 4-9 are typical ...
... V have in common . The two ver- sions are similar except at some cadences and at " testamonium " and " sap- ientiam " where the Old Roman begins with what must be the reintonation formula for the Old Roman introit tone in mode V. The ...